"The Aesthetics of Middlebrow Fiction only sounds oxymoronic until you read it. Thus this book provides not only a major new account of the middlebrow but also of its vexed relation to literary modernism." - Jan Radway, Walter Dill Scott Professor of Communication Studies, Northwestern University, USA In so doing, he demonstrates convincingly that middlebrow authors relied on a coherent set of aesthetic strategies in their efforts to make literature responsive to the pressing questions of twentieth century social life. Tom Perrin departs from earlier scholarship on the middlebrow by closely reading novels as diverse as To Kill a Mockingbird, The Price of Salt, and Exodus. "Beautifully written and carefully observed, The Aesthetics of Middlebrow Fiction is an important new contribution to debates about the significance of that large list of mid-century novels that were once both widely read and considered worthy of critical attention yet now tend to be considered less as works of art and more as sociological curiosities. Catherine University, USA, author of Reading Oprah and The Ulysses Delusion The Aesthetics of Middlebrow Fiction offers convincing evidence of its aesthetic complexity and artistic significance." - Cecilia Konchar Farr, Associate Professor of English and Women's Studies, St.
For him, our literary tradition doesn't go from Sentimentalism to Realism to Modernism to Postmodernism in such neat order. "The way Perrin locates the middlebrow novel - not as marginal, but firmly within the history and tradition of the American novel - is significant. Opens up many intriguing new directions for middlebrow studies, in the U.S.A.Īnd elsewhere.” (Kate MacDonald, The Review of English Studies, 2015) … The Aesthetics of Middlebrow Fiction is a solid and expert work, and Which to categorize novels and authors as middlebrow within a specifically U.S.Ĭontext. Post-war and Cold War United States offers a new set of identifications with “Tom Perrin’s study of middlebrow fiction from the
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